I think the hardest part about this assignment was picking something to shoot. I started two or three other perspective shots, but then, I had the opportunity to go out and film on a farm during potato harvest. Whenever I wasn’t filming trucks going by hauling spuds, I was snapping photos of a parked John Deer tractor near the cellar. The thing was so massive that it didn’t take long at all before I had 12 shots, and then some!
The main 12 in a collage, or at least the largest variance of shots and angles I was able to get. There was a lot of mud! This is definitely a working tractor!
Combining a grunge texture with the photo, “Tractor Cylinders,” I was able to give the appearance that the wheel was cracked and old. I used a mask, changed the texture opacity to 46%, and used the multiply setting to blend the two together. I also adjusted the levels of the original photo so that the wheel was a little darker.
Wheels and Door – October 11, 2016 – 24mm – F4.5 – 1/40 – Sony a7s
As the sun continued to set, I had to adjust my aperture and shutter speed. I was able to catch a reflection of the sunset in the plexi-glass door of the tractor, but had to crop it off just a little bit because I could see my reflection peeking out over the side. I hadn’t seen that when taking the photo, I was just trying to take them quick before I completely lost the light. I adjusted the contrast and levels slightly in Photoshop.
Tractor Back – October 11, 2016 – 40mm – F3.5 – 1/100 – Sony a7s
This was one of my favorite photos. I actually ended up not changing it too much. All the lighting was natural and came from the sunset. I made another layer and changed some settings on the contrast. I also adjusted some of the levels in Photoshop to lighten up the overall image while not blowing out the sky.
Muddy Steps – October 11, 2016 – 30mm – F3.5 – 1/100 – Sony a7s
This was actually the second shot (not second attempt) while taking photos of the tractor. I tried having the bar in focus, then the mud on the step, playing around with the focus a bit. In Photoshop, I made a new layer and adjusted the levels to brighten up the overall image.
Wheel – October 11, 2016 – 30mm – F3.5 – 1/100 – Sony a7s
I had been taking a lot of photos at this point and was about done when I noticed this shot. I hadn’t really seen this part of a tractor before, and it was very fun to get between the two back wheels and take several photos. I darkened the ground behind the wheel with a mask in Photoshop, increased the contrast, and adjusted the saturation slightly.
Tractor Cylinders – October 11, 2016 – 25mm – F3.5 – 1/100 – Sony a7s
I took the original image into photoshop and added an adjustment layer and masked it to the outside. I lightened up the center gears at the bottom, and made sure the sky was not blown out. On the adjustment layer itself, I adjusted the contrast, making sure to leave the original photoshop layer unchanged.
I did something similar but I did an old rusty car becasue I thought it would be easy to get 12 different shots! Nice job! Check out my blog! bayliemadysonsite.wordpress.com
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Hey Breanne! I think you made the right decision by going with the tractor. You were definitely able to get the multiple perspectives needed to fully capture the object and show its diversity. My favorite image was the one displaying the wheel and screw. Overall, great job!
Check out Alexander’s blog: https://alexandergriggblog.wordpress.com/2016/10/12/perspective-of-12/comment-page-1/#comment-24
-Bethany Wiggins
https://bethanyjanes.wordpress.com/2016/10/13/composition-perspective-of-12/
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